By Elliott Antokoletz,Juana Canabal Antokoletz
In this groundbreaking examine, Antokoletz hyperlinks the recent musical language of those operas with this symbolist perception and divulges an immediate connection among the Debussy and Bartok operas. He indicates how the opposing harmonic extremes function a foundation for the dramatic polarity among real-life beings and emblems of destiny. He additionally explores how the libretti by way of Franco-Belgian poet Maurice Maeterlinck (Pelleas et Melisande) and his Hungarian disciple Bela Balazs (Duke Bluebeard's Castle) rework the interior idea of unconscious motivation into an exterior one, one during which destiny controls human feelings and actions.
Using a pioneering method of theoretical research, Antokoletz, explores the hot musico-dramatic family members inside their better old, social mental, philosophical, and aesthetic contexts.
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