By Luiz Costa-lima Neto,Stephen Thomson Moore
To evaluation the a number of meanings received via the musical allusions inserted into the comedy texts and theatrical performances, this learn unearths the community which integrated the writer, actors, theater vendors, publishers and the general public, and different brokers, reminiscent of black Catholic irmandades (brotherhoods), Freemasonry, and associations associated with the imperial executive.
The sound universe of the comedies of Martins Penna are in comparison to the comedic axes of the Western theatrical culture (a learn of occasions and characters) and the axes of functionality (solo and chorus), considering the connection among the repertoires written by way of Martins Penna and the repertoires of Brazilians and Portuguese artists, a mixture of actors, singers and dancers, who played in his comedies.
The examine questions the concept of authorship and divulges the significance of the partnership among theatrical writers, artists and publishers, in which the comedies of Martins Penna have reached the second one 1/2 the 19th century in the course of the present.
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