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One of the significant alterations that swept throughout the song through the mid-nineteenth century, one who has acquired little recognition is how musical performances have been controlled and directed. but this was once arguably the main radical swap of all: from a free keep an eye on shared among the violin-leader, musical director and maestro al cembalo to a process of tight and unified keep watch over below a qualified conductor-manager.
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Extra resources for Michael Costa: England's First Conductor: The Revolution in Musical Performance in England, 1830-1880 (Music in Nineteenth-Century Britain)