By Margaret Olson
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L’Allemagne a donné au patrimoine musical un legs inestimable, et l’époque romantique se distingue par une floraison éblouissante. Brigitte François-Sappey suggest ici une synthèse qui position los angeles musique au cœur du mouvement romantique, en croisant musique et civilisation. Les écueils historiques sont nombreux dans un tel sujet, tant le notion d’« âme allemande » célébré par les romantiques a étérécupéré et utilisé à des fins douteuses.
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One of the significant alterations that swept throughout the song throughout the mid-nineteenth century, one who has obtained little realization is how musical performances have been controlled and directed. but this used to be arguably the main radical swap of all: from a free keep an eye on shared among the violin-leader, musical director and maestro al cembalo to a approach of tight and unified regulate less than a qualified conductor-manager.
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