By Joshua Fineberg
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L’Allemagne a donné au patrimoine musical un legs inestimable, et l’époque romantique se distingue par une floraison éblouissante. Brigitte François-Sappey suggest ici une synthèse qui position l. a. musique au cœur du mouvement romantique, en croisant musique et civilisation. Les écueils historiques sont nombreux dans un tel sujet, tant le inspiration d’« âme allemande » célébré par les romantiques a étérécupéré et utilisé à des fins douteuses.
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One of the significant adjustments that swept throughout the song throughout the mid-nineteenth century, one who has acquired little consciousness is how musical performances have been controlled and directed. but this was once arguably the main radical switch of all: from a unfastened regulate shared among the violin-leader, musical director and maestro al cembalo to a procedure of tight and unified keep watch over less than a qualified conductor-manager.
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